Web & Graphic Design Diploma

Syllabus

Technologies, Arts, and Trades · College of New Caledonia · Prince George

Course Details

Course

WEGD 251

Title

Drawing for Story

Term

Fall 2026

Credits

3 Credits

Course Hours

45 (Direct Instruction)

Prerequisite

FINE 107, or FINE 103, or by instructor permission

Co-requisite

None

Instructor & Meeting Times

Instructor

Heather Mitchell

Lecture

Thursdays 6:30 – 9:30 p.m.

Room

Main 2-244

Office

2-349

Office Hours

Monday

1:30 – 2:30 p.m.

Tuesday

1:00 – 3:00 p.m.

Wednesday

1:30 – 2:30 p.m.

Drop in during these times, or use Book a Meeting to reserve a slot.

Calendar Description
This course takes a narrative approach to drawing while continuing to build on the student's solid base of drawing skills. Human figures are drawn in a variety of positions, settings and scenes. Emphasis will be placed on expressive and emotional line drawing for the development of character and story. Additionally, work will be done to learn techniques for placing the figure into a narrative using the storyboard. Suitable for the fine artist interested in exploring narrative artwork, or the student wanting to work in graphic novels, animation or character design. This class focuses on building a knowledge base for future explorations of narrative and the human form.
Learning Objectives

By completing this course, the learner will be able to:

  • 1Engage in various research activities using contemporary and historical references to create the drawing and design of characters.
  • 2Apply 2D drawing and design techniques to the creation of visually appealing characters and simple environments.
  • 3Understand and effectively add visual language cues to drawings of body, facial features, gesture and mood.
  • 4Demonstrate how the illusion of dimension, gravity and expressed emotion can be added to a drawing through the use of shading, texturing and other 2D drawing techniques.
  • 5Give special consideration to geological location, social properties and circumstances in which characters might find themselves — whether similar or different from one's own.
  • 6Use a variety of drawing media in the creation of characters, objects and props.
  • 7Create thumbnail sketches of storyboards with characters featured in the narrative.
  • 8Evaluate storyboards for effective communication, aesthetic appeal and simplicity.
Course Content & Topics
Narrative drawing, force on the undraped human figure, expressing gesture and mood in the figure through line, 3D environments and objects, developing the character, storyboarding, and sketching characters in a digital environment.
Learning Resources

Required Texts

Force: Dynamic Life Drawing for Animators, 2nd Ed.

Mattesi, Michael D.

Focal Press Publications

ISBN: 978-0240-80845-1

Force: Character Design from Life Drawings

Mattesi, Michael D.

Focal Press Publications, 2008

ISBN: 978-0240-80993-9

Additional Supplies

You can purchase most of this list from Dollarama, Dollar Tree, Michaels or Amazon.

ItemWhere to Buy
Large newsprint padCNC Bookstore (no lines)
Large drawing paper – water mediaDollar store
Tracing paperCNC Bookstore or Amazon
SketchbookDollar store or Amazon
Drawing pencilsCNC Bookstore or Amazon
CharcoalCNC Bookstore or Amazon
Inking pensDollar store or Amazon
Watercolor paintCNC Bookstore, dollar store or Amazon
Watercolor brushesCNC Bookstore, dollar store or Amazon
Evaluation & Grading
Student EvaluationWeight
Portfolio: Gesture and Mood through line10%
Portfolio: Model – undraped10%
Portfolio: Model – draped15%
Portfolio: Environment and objects15%
Portfolio: Character sheets20%
Portfolio: Storyboards20%
Class discussions, participation, readiness10%

Grade Scale

A+90% - 100%
A85% - 89.9%
A-80% - 84.9%
B+76% - 79.9%
B72% - 75.9%
B-68% - 71.9%
C+64% - 67.9%
C60% - 63.9%
C-55% - 59.9%
D50% - 54.9%
F0% - 49.9%

Note: Students must earn a C grade or higher in order for this class to count towards any WEGD credential.

Methodology

Methods will include lectures, discussion, presentations, and hands-on projects.

Expected Transferability

Potentially Emily Carr U, Kwantlen U, Capilano U, UVic, and VIU (Bachelor of Arts, Graphic Design Major, Bachelor of Interior Design).

Academic Honesty & Student Conduct

Students are expected to conduct themselves with academic integrity and in accordance with CNC's established standards of conduct. Penalties for misconduct, including plagiarism, cheating and personal misconduct are outlined in the Academic Conduct and Student (Non-Academic) Conduct documents found in the policies section of CNC's website. All students should familiarize themselves with these documents.

Generative Artificial Intelligence

Students should be aware that each instructor will set the expectation for how Generative Artificial Intelligence (AI) may or may not be used in their class. While AI tools can help with brainstorming ideas, practicing skills, and getting quick feedback, they also have drawbacks: they can make mistakes, provide incomplete information, or reduce your own critical thinking if you rely on them too heavily. In all cases, AI is meant to be a tool to support your learning. It should not be used to make choices or complete work on your behalf. Students remain responsible for their own learning and for the work that they submit.

To protect your privacy and intellectual property:

  1. Provide only the minimum personal information (e.g., email address) when registering for the tool.
  2. Never input personal information about yourself or others into the GenAI tool's prompt, including facial or other identifying images.
  3. Many GenAI tools use your inputs to train their models. CNC has no control over how these tools collect, use, disclose, or store your data. Your inputs could be disclosed to other users or publicly.
  4. We recommend that you do not input any content you wish to keep confidential or for which you wish to maintain intellectual property rights.
  5. Read the terms of service and privacy policy of any tool you use.

Use AI as a creative critic

You could show AI your concept and ask:

  • What are three weaknesses in this concept?
  • What assumptions am I making?
  • How might someone from a different cultural background interpret this?
  • Give me five alternative ways of communicating this message.

Then you decide what feedback is useful.

Don't use AI when the purpose of the assignment is to develop a specific skill

For example, if the learning outcome is to demonstrate understanding of composition through thumbnail sketches, AI shouldn't create the thumbnails. If it is to demonstrate the ability to draw observationally, AI shouldn't generate the drawing. In other words: don't use AI to perform the thing you're being assessed on.

Accessibility, Concessions & Research

Accessibility Services

Students who require academic accommodations as a result of a disability should advise both the instructor and Accessibility Services. Students requiring support should familiarize themselves with the Accommodations for Students with Disabilities policy.

Classroom Based Research

If classroom-based research is conducted, the class will be instructed on appropriate ways of conducting research with human subjects based on the CNC Policy and Procedure for Ethical Research. The ethical framework for this study will be articulated by the instructor in the classroom.

Academic Concessions

If a student is absent from a face-to-face session or a required online activity, the student must notify the instructor prior to the start of the scheduled session. For more information see the Policy and Procedures Statement for Academic Concessions.